Festivals: call for entries

Reception of applications for Kazan International Muslim Film Festival is still in progress

 

On February 1, submission for the XX Kazan International Muslim Film Festival started. The submission will last till June 1, 2024. The Selection Committee will finish its work by the beginning of July. After this, the official selection will be announced.

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ALTERNATIVA FILM PROJECT call for entries: Development Lab

 

Deadline: 28.04.2024

Bukhara, Almaty and online, June-October 2024

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Kyrgyz Serial: The contest of scripts (2024_kg)
 
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Thursday, 14 July 2016 00:00

Locarno IFF: Sea Tomorrow by Katerina Suvorova from Kazakhstan

 

Room for the documentary

La Semaine de la Critique

 

Sea Tomorrow – Katerina Suvorova – prima mondiale
Kazakhstan / Germany, 2016 – v.o. Russian, Kazakh; 88'
Prima: cinema Teatro Kursaal 06.08, 11.00

 

 

Nearly twice as large as Switzerland, the Aral Sea was still among the four largest ones on the planet in 1960. Unfortunately, overreliance on its tributaries Amu Darya and Sry Daria for agriculture has completely dried it up. Actually, it’s exactly what plans made by the former USSR had predicted, since the resulting marshes were to be used for rice culture. Now only 17,000 km², the Aral Sea is but a big pond. The boats that had previously played an important role in the region’s economic prosperity now lie still in the sand like beached whales. The desert of salt that has replaced it is a hostile, unusable land. And yet not everybody has given up – fishermen, farmers, biologists, and even a few pirates, still believe the sea can rise again. They all fight for a better tomorrow. 

 

 

Kazakh director Katerina Suvorova, who grew up in Almaty, only knew of the historical and natural tragedy of her country through the media. She really discovered the truth only when working on her documentary. When she got there, she found a place that comes straight out of a post-apocalyptic story, as she describes it herself. It is a hostile, polluted wasteland that reminds her of “Mad Max”. The people who live there repurposed the old ships and must fight against the mills like modern Don Quixotes. Some of them even try to clear out small patches of land. The will of the people is the only resource that has not been drained out. In the grey, dusty desert, the blue hull of the boats shines like a glimmer of hope. 

The filmmaker endeavours to look sympathetically at the little, seemingly unimportant details she stumbles upon during her investigation, and that can all be seen as the buds of a plant which is striving to be reborn. Just like in Gianfranco Rosi’s acclaimed documentary “Sacro GRA”, Suvorova’s film is all about conveying meaning through specific settings – a break at work between colleagues, a chimney that doesn’t fit through the door frame, or even the tanned and wrinkled face of a farmer. In the end, Eugen Schlegel’s mesmerizing camera work reveals that the beauty of life can be found beneath each and every stone we choose to overturn. 

Marco Zucchi